Ze's Book from Chloe Paisley on Vimeo.
Book for Zé
A children's book I made for my friend Zé. It's in Portuguese, so watch it in full screen mode to see the subtitles.
Travelin' Man and Violin
Two puppets constructed during my hobo months. They kept me company, trotting alongside on their invisible horse October.

Hands of twigs and masking tape, faces of paper machéed coffee filters, bodies of bits of fabric and foam. Travelin Man has a wonderfully long and lanky body that moves fluidly. Violin is stiffer and koala-like in her clingy-ness. She has a hole in her heart.
Hands of twigs and masking tape, faces of paper machéed coffee filters, bodies of bits of fabric and foam. Travelin Man has a wonderfully long and lanky body that moves fluidly. Violin is stiffer and koala-like in her clingy-ness. She has a hole in her heart.
Dinosaur Drawings with Lola
bellybutton
Bellybutton from Chloe Paisley on Vimeo.
Visual play I wrote for a mask I made in a workshop with Big Nazo.
Listen!
some soundscapes I made

(these are best heard on headphones)
First soundplay project, a confluence of influences:
Inner Monologue
(Fall 2007)
Second soundplay project, soundtrack for a puppet circus film:
Circus Soundtrack
(Fall 2007)
(and some images from the film...)




Note especially the long-legged umbrella man. He was originally built for my first ever puppet show (in a painted cardboard dryer box), in which he emerged from under dry and dimly lit autumn leaves in a quietly cooing forest - soundtrack thanks to Meredith Monk. All he did was rise....and rise, and rise, until at last he was only legs, suggesting just two more tree trunks in the dark woods.

(these are best heard on headphones)
First soundplay project, a confluence of influences:
Inner Monologue
(Fall 2007)
Second soundplay project, soundtrack for a puppet circus film:
Circus Soundtrack
(Fall 2007)
(and some images from the film...)
Note especially the long-legged umbrella man. He was originally built for my first ever puppet show (in a painted cardboard dryer box), in which he emerged from under dry and dimly lit autumn leaves in a quietly cooing forest - soundtrack thanks to Meredith Monk. All he did was rise....and rise, and rise, until at last he was only legs, suggesting just two more tree trunks in the dark woods.
Surabaya Johnny
When I was young, I had fifteen fingers...
When I was young, I had fifteen fingers...
Big Head
Final project for our puppetry class. We marched it around town with a boombox projecting extravagantly solemn Corsican chants, then silently set it up in the cherry tree and left it there. Hours later, at the scheduled performance, there were Toy Theaters in each of the eyes, and between the teeth in the mouth. Unfortunately, I have no pictures of the Toy Theaters.


We left it in the tree overnight. Periodically I'd sneak back to it and blink the eyes at passersby. One laughing group freaked out, found me, and demanded to know how it was done. (I taught them of course, and encouraged them to blink as often as they wanted.) When I checked back later, someone else had discovered the mechanism, and was playing.
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